Conflict ‘Romeo and Juliet’ Essay

How in-chief(postnominal) is the theme of run afoul in the hoyden Romeo and Juliet?Shakespeares wreak, Romeo and Juliet, is the well-nigh famous love story in English literature. However love isnt the only theme that runs through the play. Shakespeare makes this regular love story more great when he pits the romance in the consideration of family contentions, fights and deaths. The final payment of booking is as telephone exchange to this play as the issues of love/ watch/betrayal and death. It should come as no surprise that Shakespeare would include contrasts in this play as other(a)wise the play would plainly be a dull education on teen mount love. Adding the meshings highlights the tensions that the teenagers feel amid their attachments to their own families and each other. Also, adding the strife is important for dramatic effect. We watch out this takely in Shakespeares Romeo and Juliet but also see it in many modern forms of storytelling, much(prenominal) as take.The ikon Slumdog Millionaire is another lesson of both star-crossed l overs struggling to be together against their familys wishes. The conflict in the film is in the midst of brothers, but also with others out-of-door the characters immediate families. The dramatic effect of the conflict has the earreach on the edge of their seat, impulsive the couplet to escape their terrible pull throughs of blackguard and live happily ever after. Slumdog is Romeo and Juliet for the twenty-first Century.As in Shakespeares play, in Slumdog the audience are t centenarian what will happen in the story by way of a prologue The prologue in Romeo and Juliet tells the audience the story and the endpoint (the dickens lovers will mend their family feuds by taking their own lives)From forth the dark loins of these both foes. A pair of star-crossed lovers take their life. .The prologue is an unusual storytelling device as it reveals the end of the story at the beginning. and it als o draws the audience is to k nowadays why the lovers take their own lives and the audience form shocked by that event, de malignity organism warned close to it. In Bas Learhmanns film the audience is surprised when Juliet wakes from her sleep to realize Romeo lying dead next to her. Her response of killing herself is a shocking end to the film (play) despite the audience intimate what is coming. In Shakespeares prologue theChorus describes two noble house underpins in the city of Verona. The houses hold an ancient grudge against each other that remains a source of ferocious and bloody conflict.The audience are told that the families live in Fair Verona and who the main characters in the play are. So within a few minutes of the play commencing the audience (reader) is primed with enough information to deliver an interest to read on. The first perspective comes immediately after the prologue and Shakespeare commences the scene with two Capulet servants (Sampson and Gregory) w ho talk about the conflict in the midst of the two familys. It is interesting that even though they are servants (Slaves) they evidence that the familys feud is their feud The quarrel is between our get the hang and us their menIt is important to mean that the play is written at a time when servants were obliged to honour their masters, and that include laying down their life for their betters. The eminence of the conversation between the two servants replicates the conflict that we hear about in the prologue. Shakespeare has open up a thread for the reader to sustain here. The violence of the conflict is clear when the two servants talk of what they will do to the Montague women erst they defeat the Montague men. Brutalising the women of a defeated foeman is close to(prenominal)thing that has happened throughout history. True and therefore women, macrocosm the weaker vessels,are ever thrust to the ring therefore I will vexMontagues men from the hem in, and thrust his maidsto the wallThe public brawl started by Tybalt is united by members of both families, including the Montague and Capulet fathers. Seeing old enemy (Montague) Capulet says to his wife My sword, I say Old Montague is come,And flourishes his blade in spite of me.The street fighting and hatred between the Capulets and Montagues is only one form of conflict in Shakespeares play. Shakespeares report about conflict extends to Juliets family too. In Act 3 Scene 5 Juliet is toldby her mother that she will marry. Juliets unhappiness at this arranged sum (she is told to report to the church on Thursday) leads to a conflict with her father who calls her a newborn baggage and disobedient wench. The family conflict repeats one faced by some young women whose husbands are chosen for them. This ethnic obligation is also made clear by Juliets mother when she says to Juliet that by the age of 14 (Juliets age at the time of the play) she was already big(predicate) with Juliet. The tradition of marrying girls off young, and to wealthy fourth-year men, has largely been overcome in some communities, however, in others it still creates tension. Sometimes with sad outcomes.The theme of conflict is important in this play because it reflects the type of social conditions that existed at the time that Shakespeare wrote his play. It is interesting that although our social conditions acquire changed, the vestigial themes and circumstances here could carry out to our society today. Young, violent, men fighting over territory/honour and (like Tybalt) being killed in the crossfire. Shakespeares decision to talk about the unfairness of Juliets fathers insistence that she marry, may be a brave attempt to raise the issue of forced marriage. But, alternatively, it could also be seen as a source of gaiety and frolic for the Shakespearean audience. Despite some truly difficult language, Shakespeares Romeo and Juliet is a play that transcends time in terms of its underlying themes . This makes the play as relevant now as it was when it was first played.